Hypertext сollected works
of Daniil and Alla Andreevs.
These and only these texts are surveyed by the “Andreev encyclopedia”.

Uzing abbrevations: 1, 2, 3.1, 3.2 – volumes of edition: Andreev D.L. Collected works. 1993–1997;

A (with accession of volume number) – Andreev D.L. Сhosen works. 2 volumes. 2006 (anniversary edition);

CW (with accession of volume number) – Andreev D.L. Collected works: In 4 volumes. V. 3. – Moscow: Russian way, 2006;

DAC – Daniil Andreev in the culture of 20th century;

IM – Andreev D.L. The Iron Mystery. 1990;

RDDA – Draft records to “The Rose of the World” from a prison writing-book;

RW – Andreev D.L. The Rose of the World. 1991;

VHK – Andreeva A.A. Voyage to the Heavenly Kremlin.

Zvezda – Daniil and Alla Andreyevs’ letters to Vasily Shulgin (1958–1962) / Publication, introductory note and notes by R.G. Krasyukov // Zvezda (Star) magazine. – 2009. – N 3. – (Our publications). – Pages 149-176; http://zvezdaspb.ru/index.php?page=8&nput=1158.

Digits preceded by a colon after an abbreviation designate numbers of pages or (for Zvezda) numbers of letters.

Works of D.L. Andreev
Russian gods. (1). Chapters 1-3 (1: 27-100). Russian gods. (2). Chapters 4-6 (1: 101-175). Russian gods. (3). Chapters 7-10 (1: 176-246). Russian gods. (4). Chapters 11-14 (1: 247-326). Russian gods. (5). Chapters 15-16 (1: 327-378, 457-459). Russian gods. (6). Chapters 17-20 (1: 379-459).	It is the poetic ensemble by the great Russian poet and visionary Daniil Andreev, the first part of a “titanic triptych” devoted to the doctrine of the Rose of the World.
The Rose of the World. (1). Books 1-2 (2: 6-111). The Rose of the World. (2). Books 3-4 (2: 112-189). The Rose of the World. (3). Books 5-6 (2: 190-264). The Rose of the World. (4). Books 7-8 (2: 265-329). The Rose of the World. (5). Books 9-10 (2: 330-433). The Rose of the World. (6). Book 11 (2: 434-510). The Rose of the World. (7). Book 12 (2: 511-604).	It is a treatise, the second part of the above-mentioned “titanic triptych”. Contrary to ordinary opinion, this part isn’t main in Andreev’s heritage; the author more likely assigned it a role of the philosophical and metaphysical comment to two poetic parts of a triptych.
The Iron Mystery. (1). Acts 1-4 (3.1: 7-105). The Iron Mystery. (2). Acts 5-8 (3.1: 106-198). The Iron Mystery. (3). Acts 9-12 (3.1: 199-312).	It is a drama poem, the third part of the above-mentioned “titanic triptych”.
Verses and poems (3.1: 315-443, 628-636).	Daniil Andreev’s poetic works which don’t have a direct bearing on his doctrine of the Rose of the World are collected here: collections of verses “Moon stones”, “Ancient memory”, “Voices of centuries”, “Foothills”, “Ambers”, “Along green floodplain”, “Estuary of life”, “Forest blood”, “Soul rising” and a poem “Nemerecha”.
Materials to the poem “Duggur” (3.1: 444-489).	This Daniil Andreev’s poetic collection was made by sketches to the incomplete poem based on realities of the Rose of the World.
Early and incomplete works (3.1: 490-608; 3.2: 329-334; DAC: 224-233).	Daniil Andreev’s early and incomplete poetic works are collected here: poems “Song About Monsalvat” and “Queen Krimgilda”, poetic drama fragment “The morning oratorio”, cycles of verses “Cross of the poet”, “Aphrodite Pandemos”, “Seven verses” and selection of “Verses of different years”. Some of them are related to his doctrine of the Rose of the World.
Wanderers of Night (3.1: 609-625).	Daniil Andreev’s novel “Wanderers of Night” for which the author and his wife were sentenced to execution, was destroyed by “bodies”. That is offered to a reader here, is the retelling of the novel made by A.A. Andreeva. However, the text included 3 remained fragments of the original text of the novel.
Prison records: From the prison diary; Draft records (3.2: 261-264; RDDA).	The published fragments “From the prison diary” (1954) and “Draft records to "The Rose of the World" from a prison writing-book”, deciphered by F. Sinelnikov and in some cases specified and corrected by M. Belgorodsky, used the method of verification with scans of the original, are placed here.
From the book “The Newest Plutarch” (3.2: 265-313, 317-328).	Being imprisoned, Daniil Andreev with his cellmates V.V. Parin and L.L. Rakov wrote and illustrated the comic collection of fictional biographies “imagined well-known figures of all countries and times”. Not all book entirely, but only those biographies that belong to D. Andreev’s pen are offered to readers here.
Works on prosody (3.2: 335-364; DAC: 236-254).	Not each great poet has on his account at least one new metre entered by him in practice. Daniil Andreev thought up and used in his poetry tens (!) of the new metres. Only thanks to it he managed verbally to transfer his unprecedented visionary experience. Here D. Andreev’s two works on prosody – “New metrostanze” and “Some notes on prosody” – are presented. They not only help to understand features of his poetics, but also brilliantly show diverse opportunities of the Russian verse.
Autobiography of Red Army man Andreev Daniil Leonidovich (DAC: 10-21).	It is the only remained autobiography of the poet and visionary written in June, 1943. Its full name is “Autobiography of Red Army man Andreev Daniil Leonidovich, the fighter of burial team N 196 of shooting division decorated with the Order of the Red Banner”.
Correspondence of D.L. and A.A. Andreevs
D. and A. Andreevs’ letters to different persons. [Letters, 1]. (3.2: 6-75); Zvezda.	Daniil Andreev and his wife’s epistolary heritage represents an invaluable source of data on the poet and is the remarkable document of the epoch. Here the first part of this heritage is presented.
Letters 1-51. [Letters, 2]. (3.2: 76-169). Letters 52-114. [Letters, 3]. (3.2: 170-260, 481-482).	It is the second part of Daniil Andreev’s epistolary heritage – his letters to his wife and her answers.
Materials of investigative case on D.L. Andreev (DAC: 259-317).	Considering the value of the “case” fabricated by “GB bodies” for understanding of D. Andreev’s creative destiny, the publishing house “Urania” printed all accessible today investigation documents covering the period since April 23, 1947 (the moment of arrest of the writer) till May 8 of the same year. There are’nt in this collection hitherto secret data of “operational working-out”. It complicates sometimes understanding of communications between separate documents. There are among collection documents “Protocols of interrogations of D. Andreev” and Andreevs’ application to KGB of December 9, 1957 with “The list of books from D.L. and A.A. Andreevs’ library which haven’t been mentioned in the inventory of their property, transferred to Financial department of the Moscow city executive committee in 1947”.
Works of A.A. Andreeva
Daniil Andreev’s life told by his wife (1: 5-26).	It is a short biographic essay on D. Andreev, written by his widow. Subsequently almost everything told here, was included in her book of memoirs “Voyage to the Heavenly Kremlin” (see the next line), more solid on volume.
Voyage to the Heavenly Kremlin. (1). Chapters 1-15 (VHK: 5-130). Voyage to the Heavenly Kremlin. (2). Chapters 16-29 (VHK: 131-282).	It is the book of memoirs of Daniil Andreev’s widow Alla Aleksandrovna Andreeva.
Accompanying materials of other authors
Grushetsky V.I. A history about the true world (A1: 7-18). Romanov B.N. “Russian gods” by Daniil Andreev (1: 432-445). Grushetsky V.I. A man of the blue epoch (RW, 1991: 283-286). Grushetsky V.I. “The footloose captive of a high dream…” (IM, 1990: 5-8). Romanov B.N. D.L. Andreev’s books: <A bibliography> (3.1: 642). Krasyukov R.G. Introductory note to D. and A. Andreevs’ letters to V. Shulgin. (Zvezda.)	These are prefaces and afterwords from D. Andreev’s various publicationss. The first characterizes his creativity as a whole; three following are devoted to separate parts of his “titanic triptych”, moreover the third and fourth V. Grushetsky wrote for carried out by him the very first editions of D. Andreev. The fifth material, B. Romanov’s bibliography, contains the list of editions only in the form of books, as of 1985. The sixth material is the short preface to a magazine publication of Andreevs’ letters.
Alshits D.N. Khripunov O.D., the figure of oprichnina (3.2: 314-316).	This story from the book “The Newest Plutarch” was written not by Daniil Andreev, but Daniil Alshits. Primary, because of coincidence of initials, the authorship was mistakenly attributed to Andreev and under his name got to collected works.
Memories of D.L. Andreev (3.2: 365-480).	The memoirs collected here, needless to say, are subjective, besides have the different factual importance and aren’t equivalent on literary advantages. Nevertheless this first collection of memories on the poet and visionary Daniil Andreev helps to present his live image, reports details about his biography, promotes deeper understanding of his creativity.
B.N. Romanov’s notes (1: 446-459; 3.1: 626-642; 3.2: 483-545; DAC: 254-258). They are placed at the end of each web page with made comments texts. He didn’t make comments on “The Rose of the World”. V.I. Grushetsky’s notes to D. Andreev’s works (A1: 68-70, 121-123, 165-166, 196-197, 231-232, 267-269, 299-300, 330-331, 366-367, 428-431, 503-505, 579-580; A2: 26-27, 46, 75-76, 95-96, 115, 144, 165, 177-178, 197, 211, 246-247, 285, 319-320, 335, 355, 381, 411-413, 433, 456, 478, 507-508, 531-532, 544, 569, 601, 631-632, 661, 677; IM, 1990: 312-315. They are placed at the end of web pages with texts of “Russian gods”, “The Rose of the World” and “The Iron Mystery”. R.G. Krasyukov’s notes to D. and A. Andreevs’s letters to V. Shulgin (Zvezda.) M.N. Belgorodsky’s notes. They are published for the first time and are placed at the end web pages with made comments texts.